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Maybe There Is

May 28, 2024 20 Comments

By Matt Kendrick

Monday morning. A trickle of milk across the kitchen’s terracotta tiles. Hardly anything. Certainly nothing worth crying over. Might as well cry about the overbearing clouds, or the molehills in the garden. Carl gets on with cleaning things up. But Amy cries. Clutches an empty trug to her trembling chest. “It’s only milk,” he says. “No eggs,” she says in return. Then she opens the fridge. Closes it again. Looks out the window while Carl inspects the bucket. Finds a tiny hole no bigger than a pinprick. Hardly anything. Certainly nothing worth crying over.

Tuesday. It becomes a game. Carl milks the cow, lifts the bucket, crosses the yard, then scurries through the scullery with the aim of getting to the kitchen counter before he spills a single drop. He doesn’t do well. The trickle is wider and whiter than yesterday, Amy’s sobs a little louder as she watches from the door. “What’s that?” he asks, pointing to the envelope in her left hand. “Nothing,” she says. Then she smiles as if she wasn’t crying a moment before. “Best get on,” he says. Feels a lethargy at the thought of fences to be mended, ditches to be dug. She slips the envelope into an overflowing drawer.

By Wednesday, the clouds have darkened from pigeon to slate. They are low and threatening, like Amy’s jowl. When he gets inside, and a whole stream of milk has dribbled out behind him, her sob catches the morning like a circular saw. She tells him a rabbit has been nibbling at the carrots. There are lesions on the cabbage. Small things. Hardly anything. Certainly nothing worth crying over. He tells her to take a breath. Clasps her in his arms—tight, tighter, tightest. Something passes between them that sticks in his throat.

Thursday, early. The cow is sick. A foul smell growls through the air. The clouds today are taupe and charcoal, and it is so dark indoors it might as well be night. When he enters the kitchen, Amy is sitting at the table with the accounting ledger. He wants to make a joke about her cooking the books, but her eyes are glistening, there’s tension in her jaw. “Where’s the milk?” she asks. So, he explains about the cow. “She’ll be all right by tomorrow,” he says. But he feels that globule in his windpipe that won’t be swallowed down.

On Friday, he is out in the fields when the silence is hacked at by a howl. His instinct says wolf. Except there aren’t any wolves. Not here in Surrey among the red slate roofs, the haystacks, the scarecrows, the stiff upper lips which don’t tremble like Carl’s is trembling now. When it comes again, the howl hacks inside him. Hacks from his coccyx and up through his spine. Back at the farmyard, he finds Amy by the chicken hutch staring at the sky. “Was that you?” he asks. “You should try it,” she says, her face suddenly bright in a way that makes no sense to him, as though she is no longer bothered by the lack of milk, the lack of eggs, the lack of money coming in to match the money going out. 

Saturday before dawn. The vet is in the cowshed sliding on a long plastic glove. The cow has collapsed in the night and the smell is brawny. Carl is pacing back and forth. Amy is in the farmyard letting out another howl. “What’s to be done?” she asks when she steps inside. When the vet shakes his head, Carl clamps his hands behind his neck. Kicks out at the green plastic bucket with its no-bigger-than-a-pinprick hole. Tastes that rotten globule in his gullet.

Sunday. He doesn’t know what time it is since the power is out. Amy says they’ve been disconnected, and he nods his head as if this is a normal occurrence. “I’ll check the chickens,” he says. Does just that. Then looks in the cowshed where the smell is so muscly, he almost hurls. He wishes he would. It gets inside him, that smell. It gets deep inside like Amy’s howl. When he joins her in the farmyard, he takes her hand. He understands now, at least a little. Her howl today is longer and louder. And after a while, he howls as well, both of them with their backs arched and their eyes wild against the nothing-worth-crying-over, against the blitz of hail stones that hurl towards them from the tombstone sky.

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Reader Interactions

Comments

  1. Liz says

    May 28, 2024 at 7:49 AM

    Lovely.

    Reply
    • Matt Kendrick says

      May 28, 2024 at 12:02 PM

      Thank you so much for reading, Liz.

      Reply
  2. Karen Duffell-Canham says

    May 28, 2024 at 10:47 AM

    Gosh that was a downward spiral of note in their lives – maybe a lesson to mend the little holes in our buckets before everything just dominoes into chaos. Even though it is quite somber I like the lessons learnt, but obviously too late for this couple.

    Reply
    • Matt Kendrick says

      May 28, 2024 at 11:37 AM

      Thank you so much for reading and leaving your thoughts, Karen. Much appreciated.

      Reply
  3. Hilary Ayshford says

    May 28, 2024 at 3:21 PM

    Beautiful writing, Matt, but such a sad story.

    Reply
    • Matt Kendrick says

      May 29, 2024 at 6:19 AM

      Thank you so much, Hilary 💖

      Reply
  4. Laura Besley says

    May 29, 2024 at 4:40 AM

    Absolutely love this, Matt! Beautiful movement through time and the depths of their despair. Great use of patterns and repetitions, too.

    Reply
    • Matt Kendrick says

      May 29, 2024 at 6:20 AM

      Thanks so much, Laura. That is so kind of you.

      Reply
  5. Sherry Morris says

    May 29, 2024 at 6:53 AM

    What a strong piece, Matt. Love how the tension and calamity builds as you skilfully take us through their week. Stiff upper lip meets reality in Maybe There Is. Great job.

    Reply
    • Matt Kendrick says

      June 2, 2024 at 11:14 AM

      Thank you Sherry. That’s a lovely comment.

      Reply
  6. Corrine Leith says

    May 29, 2024 at 11:14 AM

    Gripping read, I was totally bound to stay with it from start to finish. Thanks for sharing.

    Reply
    • Matt Kendrick says

      June 2, 2024 at 11:14 AM

      That’s wonderful to hear. Thank you so much.

      Reply
  7. Karen says

    May 29, 2024 at 11:31 AM

    Liked how the days of the week process increased the tension while also giving hope that their lives weren’t going to fall apart. And then the howl showed their frustration that it had. Nicely done.

    Reply
    • Matt Kendrick says

      June 2, 2024 at 11:14 AM

      Thanks so much for these wonderful comments, Karen. So kind of you.

      Reply
  8. Kristi Schirtzinger says

    May 30, 2024 at 10:10 AM

    The rhythm in this is compelling and kept me until the very end. Wonderful use of irony in this familiar cliche.

    Reply
    • Matt Kendrick says

      June 2, 2024 at 11:13 AM

      Thanks so much for reading and sharing, Kristi. Really glad you enjoyed it.

      Reply
  9. Karen B says

    May 31, 2024 at 4:16 PM

    Ah, how easily despair builds. I wondered how it would end. Especially loved the “brawny” smell of the cow shed and the various ways you described the changing skies.

    Reply
    • Matt Kendrick says

      June 2, 2024 at 11:12 AM

      Thanks so much, Karen. So lovely of you to take the time to read and comment.

      Reply
  10. David Lewis says

    June 1, 2024 at 3:43 AM

    What a week, Matt! The sad plod of luck (?) worsening day by day. The inexorable decline. Love the title, the globule in his windpipe, the trug, the lesions on the cabbages, the muscly smell, the message in the slipped-away envelope whose contents are revealed at the end. And so much more. The moral I take from this story: don’t take up farming.

    Reply
    • Matt Kendrick says

      June 2, 2024 at 11:12 AM

      Thanks so much for your lovely comments, David. Yes, I feel like farming is a hard life!!

      Reply

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