By Kumar Sen
The first thing that disappears is your name.
It doesn’t vanish dramatically. No thunder, no announcement. It’s just missing from the places it should be. The barista hesitates when calling your order. Your email signature defaults to blank. Your phone unlocks, but the contact labelled “Me” is empty.
You notice this on a Tuesday, which is unfortunate, because Tuesdays are when the city does its audits.
By noon, you receive a letter.
DEPARTMENT OF CIVIC ACCOUNTS
NOTICE OF DISCREPANCY
It informs you, politely, that you are under review for Incomplete Existence. You are instructed to report for an inventory.
You assume this is a mistake. You always do. That’s how the process works.
The waiting room is full of people staring at their hands as if they’ve lost something small and essential. A man beside you keeps checking his pockets. A woman cries without sound, suggesting she’s already failed.
When your number is called, you stand. No one says your name.
The clerk is young and efficient. Her desk is bare except for a scanner and a laminated checklist.
“Please confirm your assets,” she says.
“My assets?”
“Yes. Start with the tangible.”
You list what you own. Bed. Desk. Shoes that hurt but look honest. The clerk scans each item, nodding as if she can see them.
“Intangibles,” she says next.
You hesitate. “What counts?”
She smiles, practiced. “What would be missed.”
You say: a sister you don’t call enough. A job that doesn’t love you back. A memory of a lake where something almost happened.
The scanner beeps. Red.
She frowns. “These are depreciated.”
“I didn’t know they could be.”
“They can. Anything unattended loses value.”
She flips the checklist. “Witnesses.”
“Witnesses to what?”
“To you.”
You think of coworkers who’d notice your empty chair but not your absence. Neighbors who’d collect your mail for a week before stopping. An old friend who still has your number saved under a joke that no longer lands.
You offer their names anyway.
The scanner beeps again. Redder this time.
The clerk sighs. “I’m sorry.”
“For what?”
She gestures to a door marked RECOVERY.
Inside, the room is padded—not for safety, but for silence. A man in a gray suit waits with a box.
“Last chance,” he says, opening it.
Inside are objects you recognize instantly: a chipped mug, a library card, a shirt you never throw away because it remembers you better than you remember yourself.
“These are being reclaimed,” he says. “Unless you can justify retention.”
“I use those.”
“Usage is not relevance.”
He removes an item. The memory attached to it drains from you—not painfully, just efficiently, like deleting a file.
“Stop,” you say, too late.
He pauses. “Do you have proof of impact?”
“I don’t understand.”
“Something you changed. Something that wouldn’t be the same.”
You scramble. You think of kindnesses done quietly, of damage done accidentally. None of it feels official enough.
The man checks his watch.
Then you remember the voicemail.
Years ago, someone called the wrong number. They were crying. You stayed on the line. You didn’t give advice. You just stayed. At the end, they said your name—said it like it mattered.
“I don’t have their name,” you say. “But they remember mine.”
The man considers this.
He pulls out a form labeled ANOMALY and writes slowly.
“This will cost you,” he says.
“What?”
“Certainty.”
The box snaps shut. The room hums.
You’re released an hour later with fewer belongings and a strange weight in your chest, like something unfinished.
Outside, the city looks unchanged. It always does.
Your phone buzzes.
A message from an unknown number: I don’t know why, but I thought of you today.
There’s no name attached.
But it’s enough. For now.
I really love this!
Wow, love this. I like the method of last resort is thinking about the impact you’ve made on strangers, but the first resort is the people in your life you see every day. Which one is more important?
Wonderful and haunting!
Very unusual and wonderful story. Great imagination.
What a creative way to address our impact (or not) on the world. Well done!
Oh my! How unsettling. Just the kind of sci fi that calls to me.
Excellent. Quickening. You have a real flair for flash fiction.
Haunting, and well done. I like how it dovetails with the current zeitgeist, and stands for the human.